Books Read:
James Joyce, Finnegans Wake (read chapter 4, still reading)
William York Tindall; A Reader's Guide to Finnegans Wake (still reading)
Edmund Lloyd Epstein; A Guide Through Finnegans Wake (still reading)
Richard Powers, The Overstory
Barbara Maria Stafford; Visual Analogy: Consciousness as the Art of Connecting (still reading)
Bill McKibben, Falter
Philip Pullman, The Secret Commonwealth (still reading)
Project Update:
Late in 2018 I came up with a rough idea for a graphic novel. One of the biggest considerations I had for this new story was that it would be short. I had already made a few experimental pieces, but nothing yet like a finished work. At the beginning of last year, January 2019, I drew up a draft of the first 20 pages of that story. Most of the sketches were fairly rough. As I began to revise and flesh out the story I realized the completed project would run to well over 100 pages. My better judgement warned against commiting to such a long project. I wasn't entirely happy with the story I had begun anyways, so it was with some relief that I went back to the drawing board. From March to September I reworked it entirely.
The inspiration for this revised version was Edmund Spenser's Shepherd's Calendar. Spenser's poem is, not surprisingly, divided into 12 months, each with a theme relevant to its season. Another influence was early full-page Sunday comics like Little Nemo in Slumberland. I liked the idea of creating a dense story confined to a limited number of panels. My comic would now be 12 chapters, with each chapter being a single 2 page spread.
I spent those seven months sketching out the first few chapters and laying out a rough plot for the entire story. I was mostly happy with the story as it was evolving and began to prepare for the next step. Since I had never written a graphic novel I began to have some hesitations on how I would go about inking and coloring it. Rather than move forward, I decided to start a new project as a chance to refresh myself while experimenting on technique. My goal was to draw a page a week over the next few weeks. I planned to make a short comic of around 10 pages (it ended up being 6). The result was a wordless impressionistic narrative titled "Simon on the Shores of Ruin." I was able to finish it by the end of the year.
I have recommenced with my project. I've reworked it once again, significantly changing some details, while happily staying true to the original theme. Visions and revisions have rendered the story is significantly better, I believe. Since my goal is publication, I'm considering doing revisions of the first three chapters (the first six pages) until they reach a professional level. I'd like to seek out some advice on how to bring the quality to this stage. So, there may be a bit of an intermission between the completion of the first three chapters and the remaining nine. If I am not able to bring it to the level of being publishable I will go ahead and finish it.
I should add, one change to my latest version is the addition is a companion text to the wordless comic pages as a kind of commentary. In addition to the six comic pages there will be significantly more pages of text, perhaps as many as 24. I've written out much of this text already, and don't see that element as holding back the project's progress.
I have been on the overtime list since January and so have not had as much free time as I had from October to December of last year. I have almost no time or energy to work on anything besides my story and that intermittently at best. If I can get in a few hours of work a week, I feel lucky. I will be on the overtime list one more week after this week and then will take myself off the list for the end of January.
I do not want to think too much beyond this project, but there are a lot of other things I'm eager to work on. I'd like to read more and there are a few essays I'd like to write. I find, unfortunately, that I'm not able to work on multiple projects at once. I want to write an essay I'm calling utopian economics, which is, in part, a rebuke to libertarianism. After this, I'd like to write or at least research systems thinking, complexity, and what I call thinking in images. Lastly, I'd like to get around to reading Hans Blumenberg, but who knows when that will happen.
