Showing posts with label Can Xue. Show all posts
Showing posts with label Can Xue. Show all posts

Thursday, December 27, 2018

2018: Year in Review

I feel compelled to summarize this year with a single word. It has been difficult, busy, full of changes, full of decisions (and revisions). It wasn’t the most difficult year of my life, but close. It was a year of growth and recovery. And yet, the space I needed for this change took up the time and energy I usually devoted to creative pursuits. So, I’ve done less reading this year than just about any other in recent memory. On the plus side, I have been regularly drawing, or at least drawing more than in the past.  

Memorable Books, Comics and Movies of 2018
First Quarter (January - March)
Phillip Pullman, The Book of Dust
Thomas M. Disch, The Businessman
Can Xue, The Last Lover
Dylan Horrocks, Hicksville
Nancy Goslee, Shelley’s Visual Imagination 

Second Quarter (April-June) 
Sarah Gilbert, The Signature of All Things
Can Xue, Old Floating Cloud
Iain M. Banks, Look to Windward

Third Quarter ( July - September)
Carl Freedman, The Incomplete Projects
Alex Garland, Annihilation (movie)
Wes Anderson, Isle of Dogs (movie)
David Auerbach, Bitwise
Masaaki Yuasa, Mind Game (movie)

Fourth Quarter (October-December)
Iain M. Banks, Consider Phlebas

This year I finished a few art projects including small comic strips, four illustrations for Blake, and an illustrated version of Shelley’s poem Julian and Maddalo that I then compiled into a single small book that is nearly ready for print. Undertaking this project required that I learn the rudiments of photoshop and Scribus, a free publishing software. If it looks like I wasn’t very active the last four months of the year it was because I was busy learning these programs. A few weeks ago I started a new project, a comic book. I’ve set myself to write about 5 pages a week. I’ve been coming close to meeting that goal. I would like to write about 60 pages. If I give myself a buffer, I should be able to finish this by April. During this time I want to read deeper in my Shelley scholarship and begin writing an essay titled “Thinking in Images.” I hope to publish this essay. In April I plan on finishing the essay while revising the comic. This may take another three months. While doing this, I’d like to continue drawing, either on the next stage of this project or something else entirely.

I’m not certain what I want to do for the rest of next year and onward, although I have some ideas. I want to write a utopian essay tentatively called, “The Economics of Hope.” I want to start reading Blumenberg again, although I’m not sure if that will happen. After I finish the utopia essay, I’d like to do another essay on Finnegans Wake and then, perhaps, an essay on Can Xue.

Here is a rough reading list for next year:

First Quarter 
Bernanos, The Other Side of the Mountain
Angus Fletcher, The Topological Imagination (critical re-reading)
Nancy Goslee, Shelley’s Visual Imagination (critical re-reading)
Marx, Capital
Claeys, Marx and Marxism
Blyth, Austerity
Goodstein, Simmel and the Disciplinary Imaginary

Second Quarter
(continue economic books from first quarter)
Juan Rulfo, Pedro Peramo
Murname, The Plains

Third Quarter
Blumenberg, Work on Myth
Nicholls, Myth and the Human Sciences

Fourth Quarter

Dostoyevsky, The Brothers Karamazov

Friday, February 2, 2018

Reading Log 1.3--Can Xue, The Last Lover

I tend to try and finish every book I've started, even if I'm not into it. I admire those who only read books that they are really into, setting them aside when they are not. I started reading The Last Lover, my first book by the Hunanese author Can Xue this week. I've known about her for over a year and have read scores of interviews with her. In fact, Ive never been so moved by and taken up with a writer I'd not yet read. I've also heard that all translations of her work have been problematic (she's had at least three seperate translators). So, I'm not giving up on her just yet, but why push on when I'm just not connecting with her work? She has several short story collections already translated, so I'll probably try one of those next.

Monday, January 1, 2018

Year in Review--2017

2017 was an exhausting year. Of course it was exhausting. Exhausting for me, exhausting for the majority of Americans. The political and personal blurred together despite my desire to maintain perspective on both. There is little I can do to change the political situation, but I have made significant strides in several key personal areas, many of which I can't share here. I do want to talk about some of them though as well as share my goals for 2018.

For starters, I've been feeling somewhat disappointed with the amount of reading I'd accomplished this year. I don't feel as bad about the number of movies I've consumed, there being so few worth watching. One of the only movies I really wanted to see, Katheryn Bigelow's Detroit,  I finally got around to watching today. It more than lived up to its promise and was for me the best movie of the year. I also watched the latest Alien and the latest Star Wars movies, but I don't feel the need to say anything about them now having already discussed them here and on Facebook earlier. I still need to see the new Blade Runner and Get Out looks good. Are there others?

My goals had been modest to begin with. I started the year intending to buy less books and read more of those I already have. My book list was therefore composed mostly of books that had been lying on the shelves for awhile. I decided to focus on genre works, but I also agreed to participate in a book club my brother-in-law wanted to start (we never got past the first book though). 

For the first quarter of the year I started off relatively strong. I read Iris Murdoch's The Sea, The Sea, George Eliot's Middlemarch, Philip K. Dick's The Three Stigmata of Palmer Eldritch, the first volume of Paul Park's A Princess of Roumania quartet, and Ivan Morris's The World of the Shining Prince.  

Things slowed down a bit for the second and third quarters. I started reading Frank Trentmann's Empire of Things (a book I continued to read through the summer and still haven't finished) as well as David Rothkopf's Power Inc. I also read most of Angus Fletcher's final book on topology, The Topological Imagination. Fletcher died last November. The book is very rich and is a fitting culminating work in the career of one of our greatest literary critics. Harold Bloom had a book out this year, a short character study of Shakespeare's Falstaff. I had started reading Lewis Trondheim's Donjon comics at the end of 2016 and continued reading them through this summer. As for novels, I read Paul Auster's 4,3,2,1 and the second volume of Ada Palmer's Terra Ignota trilogy. I also started exploring the rich body of work of Hunanese author, Can Xue.  It is weird to talk about her, never have I been so taken with a writer that I have read so little of.  

At the end of the third quarter I began training for the United States Post Office. My official start date was September 25. That means that I have passed my 90 day probation period and am official USPS employee. I enjoy the job tremendously and hope to continue working there for the foreseeable future. 

If the third quarter was a relatively quiet period for reading, I made up for it with a rededication to drawing and painting. I started an art page last October (October 5, 2016) on Facebook and have been posting on it regularly ever since. This was a significant move for me. I have always been extremely introverted and it felt like a violation at first to open myself up in this way. That said, the shock quickly wore off and I post on it regularly now without any of that initial sense of exposure. I had to double check when I actually began my art page. I had thought it was this past summer and was surprised to learn that it had already been over a year. 

Starting the page put me in the mindset of making regular strides to advance my art. Making these strides public has been helpful in keeping myself accountable. My next step was to have an art show. This I did at the Thomas Crane Public Library in Quincy, Mass this past November. Going forward I plan to join an art group, network with other artists, and collaborate on projects with other artists. I've already made some steps in this area. I submitted a cover design for a critical edition of The Chemycal Wedding being put together by my former classmate, Michael Martin. I've also been brainstorming ideas for a short graphic novelization of my dear friend Ron Drummond's 9/11 memorial, "The Garden Steps." 

Speaking of Ron Drummond, I spent a good deal of the third quarter working with Ron to put together a reading copy of his collected works, The Frequency of Liberation. This has been a very exciting project that I'm honored to have been a part of. Ron's collection is the culmination of a life's work. The book comprises essays, fictions, memoirs, letters, and diary entries. It is a tribute to Ron that he has brought together such diverse materials into a single unified work. In truth, I did little more than help him find a printer and help negotiate the printing arrangements. We ended up selecting the Harvard Bookstore's print on demand operation, "Paige." We are all very happy with the selection, not only was it the cheapest option, but also produced a very good looking book. The man overseeing Paige, Ben, said that Ron's book was the best looking project he had ever worked on. Working with Ron on this project is by far the most satisfying accomplishment I've had this year.

The fourth quarter was spent, alas, with mostly work, long long hours of work delivering mail. I did manage to read Ron's book nearly twice as well as John Crowley's latest (perhaps final) novel, Ka. I started the first book of Philip Pullman's new trilogy, The Book of Dust. I also just read the latest Fabien Vehlmann and Kerascoet collaboration, Satania. This last book was a particular thrill. Their previous book, Beautiful Darkness, was a sublime epic that I still have not come to grips with. Satania has confirmed Kerascoet, the husband and wife duo, as my favorite artist storytellers. 

And that just about sums up my year. Oh, I can't forget Twin Peaks. There is a lot I want to say about Twin Peaks, but I will hold off for now. I plan to write an extended appreciation in the weeks to come. Let it only be said, that I've spent the past few months watching and rewatching both the new and original series as well as some of Lynch's other films. Of course there are the books, interviews, and online commentaries, all of which I've been going over, as well as the brilliant podcast Diane, but that will have to wait for another day. 

So with that, I will set out my plan for 2018. I don't make these plans as rigid laws over what I can or cannot read, but rather as motivators and general guides. 

1. Finish some of the books off my list from 2017.
2. Work on my utopia book list.
3. Dig deeper into Hans Blumenberg.
4. Read some of the modern American and World history books I've accumulated. 
5. Finish off some of the books on economics and politics I'd started last year.

Lastly, I have a stack of Shakespeare books I've been meaning to get to. I hope to write a monthly blog post reflecting on my readings. I am not sure how much time I will have, but if possible, I will try to write focused essays rather than mere generalizations on my readings. We will see how that turns out. So, this is a rough plan for next year. I think I will flesh it out more in a week or so. For now, I think I will start 2018 by finishing off the latest Philip Pullman.